Then, synthesize Bringhurst’s notes about each of the entries on the other side of the notecards. 271–286) of The Elements of Typographic Style as they appear. On one side of the notecards, draw (in pencil first, then black ink) each of the entries in “Appendix A” (pp. Purchase a pack of 36p x 24p (6 x 4 in.) notecards, unlined. Use your imagination: posters, shopping bags, receipts, books, magazines, or even clothes are all fertile places for typography. Come prepared to discuss this piece of typography, and, if you can, provide some insight into how it was made, what typefaces were used, why you like it, etc. This week, find a piece of typography you enjoy, then bring it in to share with the class. This class provides a comprehensive foundation to what is at the core of all communication design: type. The terminology of type use combined with all the essential principles of using type correctly will be explored through the study and application of historical examples and modern practice. This class covers every aspect of Western Typography, from the single letter to layout on the page. Typographic principles combined with general history, both aesthetic and technical, will be presented. This course celebrates the rewards of using type to effectively communicate.
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